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Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head : ウィキペディア英語版
Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head



| rev2 = ''Entertainment Weekly''
| rev2Score = (B+)
| rev3 = ''Rolling Stone''
| rev3Score = 〔Brackett, Nathan. "White Zombie". November 2004. pg. 870, cited March 17, 2010〕
| rev4 = Robert Christgau
| rev4Score = 〔(CG: White Zombie ). Robert Christgau. Retrieved on 2011-10-03.〕
| rev5 = ''Q''
| rev5Score = 〔7/95, p.131〕
}}
''Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head'' (or simply ''Astro-Creep: 2000'') is the fourth and final studio album by White Zombie, released on April 11, 1995 through Geffen Records. The album proved to be their most commercially successful recording, peaking at number six on the ''Billboard'' 200 with the aid of the popular hit singles "More Human than Human" and "Super-Charger Heaven". It was the band's only album to feature John Tempesta on drums.
==Production==
The album was highly anticipated due to the surprise success of the band's previous release ''La Sexorcisto: Devil Music Volume One''. Ivan DePrume, the drummer on ''La Sexorcisto'', had left the band to start Burningsound studios during their touring sessions for that album. The band later recruited former Exodus and Testament drummer John Tempesta for the recording of this album. The album had help from significant industrial musicians, such as the keyboard work from Charlie Clouser, who had worked with artists like Nine Inch Nails, Rammstein, Marilyn Manson, Killing Joke, and more. They had also hired Terry Date (Deftones, Pantera, Soundgarden) to produce ''Astro-Creep: 2000'' for them. According to J., the album is 72 track recording, 48 analog and 24 digital.〔Veneris, Andreas. "Interview: White Zombie/J". ''VIBE''. December 8th, 1995 at Rosemont Horizon, Chicago. cited October 31, 2008〕 The entire album took three months to write and another three to record. For the album, the band had a much bigger recording budget and more freedom in time.

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